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American Psycho A-
Year Released: 2000
Like its main character, the extremely funny American Psycho may appear to have no soul. It seems nice and gleaming on the surface -- delightfully so, even -- but does it really have any substance, any emotional relevance at all? I'd say it does. Behind all the gruesome murders and heartless sex, American Psycho shows us a guy struggling to find his soul -- he just happens to kill hookers with chainsaws and ax his coworkers to death from time to time. Patrick Bateman (Christian Bale) is a guy who's molded himself into exactly what he thinks society wants him to be. He's the personification of the greed-driven 1980s yuppie scumbag -- charming and attractive on the surface, but empty on the inside. As Bateman himself says in voice-over narration, he simply "doesn't exist." He's got a lush, expensive apartment, a beautiful fiancée (Reese Witherspoon), an extensive pop music collection, and a very nice business card. Driven to conform to society's expectations -- and, in fact, striving to exceed them to one-up his coworkers and everyone else around him -- it's no wonder his mask of sanity is beginning to slip. Based on Brett Easton Ellis' controversial novel of the same name, American Psycho interweaves sex and violence in a way that's bound to upset some people. Director Mary Harron (I Shot Andy Warhol) has toned down the novel's explicit violence (it's always just off-camera), but the energetic glee with which Bateman carries out the carnage is on full display. Bateman, who has a true affection for '80s pop, often meditates on the deeper meaning of songs by the likes of Huey Lewis and the News while getting that gleaming ax ready to pummel a coworker. Seeing Bateman running around naked with a chainsaw, chasing after a hooker, is one of the funniest moments of gleeful horror seen in years. To Bateman, sex and violence are one in the same. Just a means to let out all the frustration he hides in his everyday life. Bateman says he has no recognizable feelings other than greed and disgust. I think he actually has a heart buried down inside him somewhere, and he just might have a bit of affection for his secretary Jean (Chloe Sevigny). Jean is obviously fond of him, and Sevigny captures her character in a moving and subtle performance. Driving this ride through manic delirium is a soundtrack of '80s pop hits that gives American Psycho a thrilling upbeat rhythm. Director Mary Harron keeps this witty satire briskly paced and stylish, while Christian Bale delivers a wonderful performance as the ultimate soulless yuppie. Yes, it's official. We live in a society so infatuated with public image that it can turn men into monsters -- just pray that they find their souls before they reach for the nail gun. Review published 04.14.2000. Follow Michael Scrutchin on Twitter or Letterboxd.
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